Editorial Board 2021—2022

Eliza is a third-year doctoral candidate researching friendship and collaboration among women artists working between 1870 and 1920 in England. She holds a BA from Bowdoin College and an MA from the Courtauld Institute of Art. She has held positions in museums in the US and the UK.

Tracey is a third-year doctoral candidate in medieval studies, researching the representation of Anglo-Saxon textiles in the ecclesiastical and secular literature. She holds a BA and MA (for which she received an Ede and Ravenscroft scholarship) in Art History from the University of York.

Peter is a second-year doctoral candidate in art history, researching the role of gender play in the works of the Rudolfine artist Bartholomeus Spranger. He has an undergraduate degree in English, a post-graduate education credential from California State University, and a master’s degree in art history from Lindenwood University.

Alyson is a PhD candidate in the History of Art Department. Her project examines the strategies of temporal agency deployed in German Expressionist artmaking in order to lay claim to an “apocalyptic time,” a disjointed temporality with potential revelations of otherwise inaccessible realms. She is the recipient of the Departmental PhD Scholarship.

Yuxuan is a second-year PhD candidate in History of Art. Her research aims to recontextualise the auction house’s exhibition space, traditionally associated with the commodification of art, in the light of curatorial practices concerning inclusion and exclusion and understand their interaction with the art world as an ecosystem. She holds a BA from Nanjing University in Archaeology and an MA from the University of Manchester in Art Gallery and Museum Studies.

Giulia is a WRoCAH funded PhD candidate working on artists’ writings and artists’ books produced by women involved in the feminist movement in Italy from the 1970s to the 1990s. Giulia received a BA from the University of Houston and an MA from the University of York. She held curatorial positions in museums in the US, the UK, and Italy.